40 years ago, ALCS was started by a tenacious group of writers, who saw how their works were being used and sought to make sure that writers were being compensated for that use. I’m proud to say that in 2017 we’re still continuing that good work.
Paying our members is at the core of ALCS. Making sure that our members get what they’re owed is what we’re all about. We’ve been promoting and lobbying in support of copyright for 40 years, it underpins everything we do. One of the slogans that founder Maureen Duffy used 40 years ago still rings true today - no use without payment – it’s what we strive for.
We’ve collected an enormous sum for writers in 40 years, close to half a billion pounds. That huge sum is made up of thousands of small amounts collected from the UK and countries all over the world for the use of writers’ work, money we writers couldn’t collect ourselves individually. That’s important of course and helps us to keep writing.
But I know that for lots of ALCS members too, it’s not just about the money; more important is the recognition and the sense of solidarity that writers get from membership, and you can’t put a price on that.
I'm delighted to report that this has been another successful year for ALCS. Our income increased during challenging times and looks to be stable for the next few years. The increase to £32.07m represented a rise of £1.4m from last year and we paid out £32.6m to over 78,500 members.
Over the course of the year our membership increased to 90,027 and we secured a new strand of income that we will be paying to eligible members in the future - for their artistic images in books, and journal and magazine articles.
We also spent the year improving our online services culminating with the launch of our new website and its new and improved members' area that easily lets you keep us updated with your new works and – importantly – any updated bank details to enable us to pay you. If any information is missing, it will now show up as an alert in your account. You will be receiving statements electronically in future via this online account so please spend some time getting to know your way around.
To help protect you we have also implemented more rigorous security protocols. So when calling us to discuss your details we hope you won't mind when we carry out extra security checks before we discuss your account with you. This helps protect against fraud which is a growing problem for all organisations and a matter we take very seriously.
During the year we've said goodbye to former chair, Adam Singer and board members Stevie Spring and Bonnie Greer. And we've welcomed Michael Ridpath, Faye Bird and Tom Chatfield to our Board. We thank them all for their service and support for ALCS.
Paid £32.6m (gross) to 78,579 people
Collected £32m on behalf of our members
Increased our membership by 3,471 to 90,027
Paid out £2.9m through member recruitment activities
Collected information about members’ artistic contributions to books and magazines for the first time
Paid members with an overall commission rate of just 8.22%
Seen e-lending enshrined into PLR legislation (following a lengthy campaign).
Lobbied for the Digital Economy Bill to be amended to include the safeguards for authors and performers announced in the EU draft directive.
Provided written evidence on the likely effect of Brexit on copyright, and the livelihoods of authors, and outlined policy priorities after leaving the European Union.
Submitted our views to the Intellectual Property Office (IPO) on the subject of modernising the European Copyright Framework.
Worked with the Society of Audiovisual Authors promoting an online remuneration right for audio-visual authors in Europe
Worked with PLR International to promote the principle of PLR systems for authors around the world
Lobbied with the International Authors Forum at the World Intellectual Property Organisation on issues pertaining to preserving authors’ rights such as exceptions on education as well as libraries and archives
We’ve also shared positive messages about copyright with over 100,000 young people through our support of the Carnegie Shadowing Scheme our ‘Young writer’s guide to Shakespeare competition’ and our support of the ‘Mal Peet Writing Award’.
ALCS is led by a Senior Management Team of 6, between them they’ve worked at ALCS for 85 years, so they’re pretty experienced.
Executive Director and ALCS
Chief Executive
Deputy Chief Executive
Head of Communications
Head of Rights and Licensing
Chief Operating Officer
Head of Finance
We are staffed by a small, dedicated team who are committed to our organisation and our members. We aim to employ the best people to meet the changing needs of the Company and to promote and develop staff within the organisation.
In addition to Owen Atkinson, who sits on the Board of Directors as an Executive Director and Company Secretary, the following comprise the current Board of Directors.
Chair
Vice Chair
Non-Executive Director
Non-Executive Director
Non-Executive Director
Non-Executive Director
Adam Singer.
Chair until November 2016. Served on the F&A and N committees.
Stevie Spring.
Non-Executive Director until May 2016. Served on the R committee.
Jonathan Turner.
Non-Executive Director until November 2016. Served on the D&M and R committees.
Bonnie Greer.
Non-Executive Director until March 2017. Served on the F&A and R committees.
Paul Powell.
Non-Executive Director until September 2017. Served on the D&M, F&A and R committees.
D&M
The Distribution & Membership Committee reviews the policy framework for ALCS in relation to those parts of the operations facilitating the payment of fees to members and proposes developments and changes in policy and procedure to the Board. It also reviews and advises on the recruitment of, and services for, members.
The Committee met 3 times during the year.
F&A
The Finance & Audit Committee monitors the financial, accounting, investment, taxation and associated matters affecting the Company’s performance and reports back to the Board as requested or as appropriate.
The Committee met 6 times during the year.
N
The Nominations Committee reviews and makes recommendations to the Board on such matters as Committee membership (non-executive and externals), co-options to the Board and recruitment at Board level as and when appropriate.
The Committee met 2 times during the year.
R
The Remuneration Committee reviews, analyses and makes recommendations to the Board on matters pertaining to the remuneration policy.
The Committee met 1 time during the year.
Owen joined ALCS in 1997 having previously spent 10 years working in Hong Kong in IT consultancy developing bespoke solutions for the publishing and book industry.
Owen was initially responsible for the design and development of a new bespoke royalties system which was successfully implemented in 1999. He became Head of Operations in 2000 and has overseen the doubling of royalties collected and paid to authors over the past 8 years. Owen became Deputy CEO in 2004 and CEO in 2006.
During this time he has been involved in international projects regarding information and repertoire exchange, as well as working with data standards groups on the development of identifiers.
He is also involved in lobbying and campaigning in support of authors’ rights and raising the profile of writers in both the UK and EU, raising issues with ministers and MPs on the value of creators to the Creative Economy.
Owen is married with 2 lively children and lives in Surrey.
Barbara started her career in direct marketing. Having spent seven years in the US designing and marketing properties, she returned to the UK to work within the International Department of a major multinational HR consultancy.
Barbara joined the Authors’ Licensing & Collecting Society in January 2004 where she focussed initially on HR. She then took over responsibility for Communications and Membership, looking at ways in which ALCS raises its profile amongst the membership, potential members and the public in general and devising successful marketing and membership recruitment strategies.
She has also been involved with the work of the All Party Writers Group, seeking opportunities to bring issues regarding writers to the attention of the appropriate parliamentarians.
Barbara represented ALCS for a number of years on the Board of The Society of Audiovisual Authors (SAA) or Société des Auteurs Audiovisuels. In November 2015 Barbara became Chair of the SAA.
In 2016 Barbara became Chair of International PLR.
Alison joined ALCS in 2000 as a ‘royalties administrator’, took the role of membership secretary shortly afterwards, and moved into the communications department in 2004. In 2014 she became Head of Communications at ALCS.
Alison has a CIM marketing diploma, is a qualified project manager and has a background in visual arts. Her team at ALCS have overseen the development of several websites, organised more than 15 AGM’s around the country and sent several million copies of ALCS News to members via email.
She’s been asking members to give ALCS their email addresses for the last 15 years and hasn’t given up yet.
Her spare time is mainly devoted to chasing her 2 year old around a park.
Richard joined the ALCS legal team in 2002, having previously worked in private practice, and became Head of Rights and Licensing in 2007.
His work at ALCS focuses on the development of collective rights and licensing schemes in the UK and internationally, aimed at providing writers with fair remuneration for the re-use of their work. This role involves a significant degree of partnership and collaboration with other UK writers’ organisations and licensing bodies as well as authors’ societies and collecting agencies around the world.
Richard’s department is also responsible for engaging with UK and EU policy on copyright and authors’ rights – an area of growing prominence on the political agenda – by drafting responses to government consultations, preparing Ministerial briefings and setting the agenda for the All Party Writers’ Group.
Richard represents ALCS on the Boards of the British Copyright Council and the Educational Recording Agency, of which he is currently Vice-Chair.
Alan joined ALCS in 2003 as Manager of the Print Media Department, with responsibility for the distribution of CLA and Public Lending Right income, managing the database of members and their repertoire, and overseeing the author research team. He was subsequently made Head of the Licensed Works Department in 2008.
He became ALCS’ Chief Operating Officer in 2013 overseeing the Licence Income, Distributions, Data and IT teams, with overall responsibility for the receipt and processing of UK and International licence income, distribution of royalties to members and reciprocal societies, data services and IT systems.
Alan sits on the Distributions and Membership Committee, whose function is to set ALCS’ operational strategy, review all policies and procedures with regard to the collection and distribution of income, the procurement and processing of data and all matters relating to ALCS current and potential membership.
He represents ALCS on a number of international groups, including the CISAC CT-DLV (Dramatic, Literary & Audiovisual Technical Committee), IDA Management Committee (International Database of Audiovisual Works) and the CISAC Audiovisual Experts Group.
Alan is a graduate in English Studies and has a Masters in Linguistics.
Mark is a member of the Chartered Institute of Management Accountants and a graduate of the University of Kent. He is also a non-executive director of Ignite Film Fans.
After many years in retail and FMCG (latterly as UK Finance Director at Fosters), Mark spent the next thirteen years business partnering the owners of complex, fast-growing, entrepreneurial SME and start-up businesses in media and multi-site hospitality.
Having joined ALCS in 2015, Mark looks forward to dealing with a new set of complexities in a fresh environment (and meeting lots of authors!).
In April 2017, he became Group Chief Financial officer for both ALCS and the Copyright Licensing Agency.
Tony is a graduate of Queens’ College, Cambridge and went into journalism after university. He published his first book in 1984, went freelance in 1987, and since then has produced more than 200 children’s books of different kinds across a wide age range – from babies to teenagers.
One of his notable successes are the Dilly the Dinosaur books that were made into a popular BBC animation. Tony has also written for the educational sector, taught creative writing, appeared at all the major literary festivals and visited hundreds of schools to meet his readers. He has been a reviewer of children’s books throughout his career – for The Daily Telegraph, The Times Educational Supplement, The Guardian, The Guardian Children’s Books Website and several specialist journals. Tony is married with three grown-up children, four grandchildren and a dog (‘Betty, The World’s Cutest Border Terrier’).
Appointed by the Board in November 2017.
Served on the F&A and N committees.
James McConnachie is the author of numerous Rough Guides, from Paris and Nepal to Conspiracy Theories and Sex. He wrote a critically acclaimed study of the Kamasutra, The Book of Love, for which he was nominated for Sunday Times Young Writer of the Year, 2008.
He has reviewed non-fiction for the Sunday Times ever since, on roughly a fortnightly basis, mostly covering esoteric history and popular science. He is currently editor of The Author (the quarterly journal of the Society of Authors), a fellow of the Royal Literary Fund (he teaches writing at Southampton University) and, much to his surprise, an agony uncle for the Metro newspaper. He has written for most UK broadsheets, presented TV programmes for the BBC and Channel 4, and has given talks and lectures at the V&A and Cambridge Wordfest, among others.
James was nominated to the board of the Copyright Licensing Agency in 2011, and re-elected as a director of the Authors’ Licensing and Collecting Society in 2015. He is a member of the National Union of Journalists and the Society of Authors, and a passionate advocate of authors’ rights. He lives in Winchester with his wife and three children.
Re-elected by the membership in January 2016.
Served on the F&A, N and R committees.
Dr Tom Chatfield (@TomChatfield) is a British writer, broadcaster and tech philosopher.
The author of six books exploring digital culture – most recently Live This Book! (Penguin), How to Thrive in the Digital Age (Pan Macmillan) and Netymology (Quercus) – his work is published in over two dozen languages. Tom is interested in improving our experiences of digital technology and in better understanding its use in policy, education and engagement.
Most recently, he was a Visiting Associate at the Oxford Internet Institute, researching a new book on critical thinking. Past collaborators include Google, the BBC, Channel 4 Education, Mind Candy, Shift, Flamingo London, Six to Start, Preloaded, Firefish, Future Lab, Sense Worldwide, SAGE Publications, Sugru and Allianz.
Appointed by the board in June 2017.
Jonathan is a freelance writer, lecturer and broadcaster working mainly for the BBC and Middle Eastern television channels.
He is the author of 15 non-fiction books and contributes to a wide range of publications including the Guardian, Turkish Review and the Oldie. Since 1993 he has taught a course in Cultural Expression at London University’s School of Oriental and African Studies (SOAS).
Though based in London since 1981, for seven years he was a journalist in Brussels covering the European Institutions. He is a longstanding member of the governing Council of the Alliance of European Liberals and Democrats (ALDE) and sits on the Federal Executive and parliamentary International Affairs Team of the UK Liberal Democrats.
He is a member of the Advisory Boards of both the Centre for Turkey Studies (CEFTUS) and Research Turkey and previously served on the Executive of English PEN.
Re-elected by the membership in January 2017.
Jonathan served on the D&M and N committees.
Maggie Geeis a novelist and Professor of Creative Writing at Bath Spa University, and was elected to the Board of ALCS in 2015.
She has lobbied for writers, e.g. on the Society of Authors’ management committee, the PLR committee, the British Library’s Authors’ Lives committee, the London Arts Committee and the Royal Society of Literature, where she was the first female Chair of Council and is now a Vice-President.
She has written twelve novels, including The Ice People, My Cleaner, My Driver (set in Uganda) and The White Family, a collection of short stories, The Blue, and a writer’s memoir, My Animal Life (2010). Her most recent novel is Virginia Woolf in Manhattan (2014), a comedy which brings Virginia Woolf back to life in New York and Istanbul. Her next novel will feature Neanderthals in Gibraltar and the ‘black’ Goyas.
Maggie ‘s books have been translated into 14 languages; in 2012 an international conference about her writing was held at St Andrew’s University, and in the same year she was awarded the OBE for services to literature. She is often to be found tramping the beautiful beaches of Thanet.
Elected by the membership in January 2016.
Served on the D&M, N and R committees
Before becoming a full-time author, Michael Ridpath worked for a bank and a venture capital company in the City of London. He has written fifteen novels: eight financial thrillers, four Icelandic crime novels, two spy novels and a stand-alone thriller, Amnesia.
He has been a member of the Management Committee and the Finance Committee of the Society of Authors, he was Vice Chair of the Crime Writers’ Association and he is currently a Treasurer of the Royal Literary Fund.
Appointed by the Board in June 2017.
Joan Smith is a novelist, columnist and campaigner for human rights. She has published six novels, including the Loretta Lawson series of crime novels and a thriller, What Will Survive.
Her non-fiction books include Misogynies, Moralities, Hungry for You and The Public Woman. She has written for many national newspapers, including The Times, The Guardian and the Daily Telegraph.
Since June 2013, she has been Co-Chair of the Mayor of London’s Violence Against Women and Girls Panel (now the VAWG Board). She is a former Chair of the English PEN Writers in Prison Committee, where she worked on behalf of imprisoned writers and their families. She is currently chair of Labour Humanists.
Elected by the membership in January 2017.
Joan served on the F&A and N committees
Faye is the author of two Young Adult novels – My Second Life and What I Couldn’t Tell You. She worked in Television for over 10 years as a Literary Agent at The Agency (London) Limited and Talkback Management representing scriptwriters in drama, children’s and comedy before becoming a writer herself.
She regularly visits schools giving talks and running workshops on creative writing for young people, and has been part of the Schools Outreach Programmes for both the Edinburgh International Book Festival and the Bath Children’s Literature Festival. She has also presented workshops for Booktrust and the National Literacy Trust on inspiring reluctant readers.
Both of her books were well received and shortlisted for several children’s book awards, including the NE Teen Book Award 2014 and Lancashire Book of the Year 2017.
Appointed by the Board in September 2017.
Jonathan is a freelance writer, lecturer and broadcaster working mainly for the BBC and Middle Eastern television channels.
He is the author of 15 non-fiction books and contributes to a wide range of publications including the Guardian, Turkish Review and the Oldie. Since 1993 he has taught a course in Cultural Expression at London University’s School of Oriental and African Studies (SOAS).
Though based in London since 1981, for seven years he was a journalist in Brussels covering the European Institutions. He is a longstanding member of the governing Council of the Alliance of European Liberals and Democrats (ALDE) and sits on the Federal Executive and parliamentary International Affairs Team of the UK Liberal Democrats.
He is a member of the Advisory Boards of both the Centre for Turkey Studies (CEFTUS) and Research Turkey and previously served on the Executive of English PEN.